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Oral storytelling is the earliest method for sharing narratives. Along with exposition, argumentation, and description, narration, broadly defined, is one of four rhetorical modes of discourse. Owen Flanagan of Duke University, a leading consciousness researcher, writes, “Evidence strongly suggests that humans in all cultures come to cast their own identity in some sort of narrative form. Stories are an important aspect of culture.
In On Realism in Art Roman Jakobson argues that literature exists as a separate entity. He and many other semioticians prefer the view that all texts, whether spoken or written, are the same, except that some authors encode their texts with distinctive literary qualities that distinguish them from other forms of discourse. How is it manifested as art, cinema, theater, or literature? Why is narrative divided into different genres, such as poetry, short stories, and novels?
In literary theoretic approach, narrative is being narrowly defined as fiction-writing mode in which the narrator is communicating directly to the reader. But novels, lending a number of voices to several characters in addition to narrator’s, created a possibility of narrator’s views differing significantly from the author’s views. Todorov’s narrative model that views all narratives in a cyclical manner, and that each narrative is characterized by a three part structure that allows the narrative to progress. Other critiques of literary theory in narrative challenge the very role of literariness in narrative, as well as the role of narrative in literature. Meaning, narratives and their associated aesthetics, emotions, and values have the ability to operate without the presence of literature and vice versa.